Scarlet Letter :: essays research papers fc

Scarlet Letter In Hawthorne’s, The Scarlet Letter, life evolves around a rigid and harsh Puritan view. In this society people are not free to express themselves as well as they are today. This is very sad because it is a necessity for humans to be able to express their deepest thoughts and desires. Unfortunately the Puritan society did not permit this so people had to find other ways to satisfy their needs. For two of these characters the satisfying of their urges condemn their fate in life. Hester and Dimmesdale, a reverend, have an affair, which costs Hester life, as she knew it. The only place where these two people were free was in the confinements of the forest. As much as freedom and confinement is a paradox it makes perfect sense. You will gain the freedom of expression in the confinement of that expression. The forest was the only place this could be accomplished. The forest was Hester and Dimmesdale’s sanctuary throughout the novel because they could freely com municate their love, their sin, and their future plans. Being able to confess to someone a sin you have committed is one of the finest feelings. The forest provided that ability to Hester and Dimmesdale. At one point Hester comes right out and brings up the committed sin. â€Å"What we did had a consecration of its own. We felt it so!† (pg. 179) When Dimmesdale first hears this bold statement he is somewhat distraught and tells Hester to â€Å"Hush!† and then he realizes the freedom they have. â€Å" May God forgive us both! We are not†¦the worst sinners in the world.† (pg. 179) There is no way that Dimmesdale would have become this bold if he were in spectacle of the Puritan society. Once again a warm blanket that the forest lay upon Hester and Dimmesdale. It is apparent that there is a mutual love between Hester and Dimmesdale. Although there are very few quotes which will directly state this fact there are many that will allude to this obvious fact. At o ne point Hester begs for Dimmesdale’s forgiveness and he grants it to her. I don’t think he grants it to her because of his religious beliefs but because he loves Hester. I also don’t believe that Hester would be so worried about Dimmesdale’s forgiveness if she did not love him. â€Å" ‘Though shalt forgive me! Though shalt forgive†¦ Will though yet forgive me?

Organizational Structure Paper Essay

The selected organization for the topic is AAA Remodeling AAA Remodeling is a construction company that focuses on remodeling of residential homes along with weatherization on commercial and residential buildings. Description of organizational structure of AAA remodeling will be given. Two other organizational structures will be selected for the use of contrast and comparison. The organizational functions of the various structures will be identified to determine influence on the organizational structure. Explanation of organization design aids in the effort in choosing which structure will work best for AAA Remodeling AAA Remodeling is a construction company who provides full-service home remodeling services. It is a small business with about ten employees (Martin, 2011). It is a locally owned and operated family business with over 15 years of experience. They offer quality construction and home improvement services and products at affordable prices, and are dedicated to making remodeling project an exciting one by working with you from start to finish There is the CEO/Owner, office staff, laborers, and HVAC team (Martin, 2011). The organizational structure is the administration, human resources, and production department (Martin, 2011). The administration includes the owner and a bookkeeper whom is responsible for payroll and financial. The human resource department is in charge of employees training and hiring (Martin, 2011). The production department includes all laborers (Martin, 2011). The HVAC team is responsible for heating and cooling jobs. The business is small but very functional. Two other businesses are selected to show comparison and contrast. The first business selected is Anderson Mobile Homes. Anderson Mobile Homes is a manufactured home dealer (Martin, 2011). The company exists of about 30 employees (Martin, 2011). The business is comparable to AAA Remodeling based on size. The organizational structure is administration, human resource, productions, sales and marketing, and finance (Martin, 2011). The administration department consists of owner and managers (Martin, 2011). The human resource department is responsible for training and hiring employees. The human resource department is similar to that of AAA Remodeling. The production department is the laborers in which set and place the mobile homes after purchase (Martin, 2011). The sales and marketing department is used to market different ad campaigns along with sales the mobile homes that are on site (Martin, 2011). The finance department is used for accounts receivable and payable (Martin, 2011). This structure is different compared to AAA Remodeling because the structuring in AAA Remodeling uses the administration department to complete same task. The next company used for comparison and contrast is Mesa Construction. Mesa Construction is a construction company focus on new construction in southern New Mexico (Martin, 2011). The company has about 50 employees and 420 plus members in the BIA approximately one-third are licensed builders and the remaining members are subcontractors, suppliers of materials, and providers of services. All of the members have a vested interest in the success of home building in our community. They all work together to provide the community’s housing A fourteen-member board of directors, a five-member executive committee, and executive officer manage the BIA. There are 16 committees, task forces, forums, and councils. The BIA’s activities are planned and managed by volunteer members and a staff of five. The BIA’s purpose is to protect the American dream of home ownership. They have the following mission statement: Chartered in 1959, the Building Industry of Southern New Mexico is comprised of members of the building industry and its affiliates. As the voice of the building industry, we serve our members and the community by:Â  Promoting balanced economic development; providing education; and promoting professionalism. (Martin, 2011). The organizational structure is administration, human resources, finance, production, and sales and marketing (Martin, 2011). The organization structure is similar of Anderson Mobile Homes but different than AAA remodeling. The administration accompanies the CEO, vice president, and managers. The human resource department is responsible for training and recruitment of employees (Martin, 2011). The finance department of the organization is responsible for accounts receivable and payable (Martin, 2011). The production is filled with different level laborers responsible of building of new homes (Martin, 2011). The sales and marketing department is responsible for sales and marketing new homes (Martin, 2011). Each company has similarities and differences in the organizational structure. The different size companies show how organizational structures play a huge part of the company’s success. AAA remodeling organizational functions influence and determine the organizational structure. The various task needed to run a business is separated into different departments. The departments represent the organizational structure. Because of the company selected small number of employees the organizational structure is smaller than other companies. Each organizational structure is responsible for different task. The organizational structure of the human resource department is an example. The human resource department has to assure there is recruitment of skilled employees to fit into open positions. The departments also have to ensure that proper training is existent to ensure new and existing employees success in his or her position. If there human resource structure was not available then the function of the responsibilities would be lead by a different structure in which could cause an issue with effectiveness and efficiency When looking into various organizational designs, compatibility is a must for AAA Remolding. First the company is a small business. To use each employee to the fully to save on cost is a priority. So the organizational structure must be able to categorized task base on the company size. Spreading the employees to thin, such as one person per structure is not feasible. The services that AAA Remodeling uses such as remodeling and weatherization has to be considered. The two different teams are experienced in different but similar construction services. So it would be feasible to create an organizational structure that promoted both teams. The organizational structure can use the design capability of setting boundaries. The design used will initiate boundaries and responsibilities for each structure. Using boundaries can create an organized company in which each structure works to meet a common goal. In summary AAA Remodeling was the organization chosen. The organizational structure of the company is currently administration, human resources, and production department The organizational structure was compared with two similar but different companies of Anderson Mobile Homes and Mesa Construction. All three companies were previously or currently worked by myself. The organizational structures of each company was compared and contrasted. The organizational functions of each organizational structure was identified. So function was the main idea behind the various structures at AAA Remodeling. The organizational design of compatibility, services, and boundaries was examined. The organizational design influences the type of organizational structure will meet the common effort of everyone meeting the goal of the business.

Influence of Baroque Music to Classical Music Essay

Music of any period reflects, in its own way, some of the same influences, tendencies, and generative impulses that are found in the other arts of that time (Donna, 2005). Thus the word â€Å"baroque,† usually used despairingly by eighteenth-century art critics to describe the art and architecture of the seventeenth and early eighteenth centuries, came to be applied also to the music of the seventeenth and early eighteenth centuries. After some years after the death of Johann Sebastian Bach, the ornate, formal and strict form of the High Baroque became â€Å"old-fashion† and lost its favor. Music slowly began to change form the style and forms of the High Baroque to a simpler yet tuneful form around 1750. The period following the Baroque is called the Classical period. The transition to the new styles and forms of Classical music was, like all transitions, rather complicated. The use of the baroque bass figure lost its taste and became obsolete. The preference of a simple structure rather than polyphonic constructions became dominant most especially in secular music. There was also a preference for one clear melodic line without melting with many others. Although baroque music differs greatly from classical music, they have striking similarities as evident in specific styles and forms. Though Classical composers tend to avoid the antiquated Baroque, one cannot fully abandon the styles and forms of the immediate predecessors. Instead, these styles were further developed to form a new meaning and use on the new musical structure. Forms like the opera and orchestra revolutionized—the former branching out from serious to variety, and the latter have a complete upheaval. Moreover, on the late Classical period, great composers such as Beethoven and Mozart studied the works of Baroque composers Bach and Handel. The later works of the classical composers were characterized of having innovative yet powerful polyphony inspired by Bach’s masterpieces, and contrapuntal melodic lines imbued with the oratorios and suites of Handel. General characteristics of baroque music Baroque composers were united in a common goal: to express or represent a wide range of feelings vividly and vigorously. They sought musical means to express or arouse the affections.  Rather than they express their personal feelings, composers wanted to represent human emotions in a generic sense (Norton, 2010). The music is regarded for its distinct, formal compositional styles and forms. Style Various styles laid the foundation of baroque music. Expressive and expansive in melody yet deeply rooted in chordal harmonies, baroque music is typically highly rhythmical and quite easy to listen to. The comfortable regularity and lively rhythmic qualities of much of baroque music have made it appealing to many modern listeners. For more detailed listeners, one can interpret the music having poignant and stirring melodies, engaging conversation-like dialogues in sound, and rich harmonies and textures (Daniels & Wagner, 1975). Modality was replaced by tonality which gave a strong feeling of joy or lament. In 2008, Ferris explains that composers developed and theoreticians articulated the tonal system, in which every note of the major or minor scale bears a specific relationship to every other note, and all of the pitches are more or less similar to the tonic. Composers at that time recognized and utilized triad chords as an entity, which resulted to meaningful and consonant units of sound. The use of triads most especially the three principle chords (tonic, dominant, and subdominant) paved a stable and harmonic direction to tonal music (The Baroque Period). Thus, the tonal system of harmony was wholly adopted during the seventeenth century. In addition, the continuous use of the polyphonic texture during the Early Baroque was revolutionized to form a new texture—the homophony. Imitative polyphony (more than one melodic line) was an extremely important factor in writing and playing music (The Baroque Era, Kamien, 2008). New forms of polyphonic music were developing because baroque composers felt that the art of counterpoint was essential to their artistry. On the other hand, the homophonic method (a musical technique that displays a vast separation amongst the melody line and the accompaniment) was gaining acceptance and use quite rapidly (The Baroque Era). The homophonic musical style played a significant role in opera and solo vocal music because it ocused the listener’s concentration in the poetic melody of the singer. Most pieces in baroque music have the basso continuo which gave way to uniformity and unity. Basso continuo, or figured bass, is an accompaniment which consists of a bass part with numbers which specify the chords to be played above it. Musical works containing a continuo part helped to convey harmonic support of chords under the melodic line (The Baroque Era). Kamien (2008) states that basso continuo is usually played by at least two instruments: an organ or harpsichord and low melodic instrument like the cello or bassoon. Kamien (2008) also adds that â€Å"the organist of harpsichordist plays the bass part with the left hand which is also played by the cellist or bassoonist. With the right hand, the keyboard player improvises chords or melodic line by following the numbers. Because the numbers only indicate a basic chord, the performer has a wide field of freedom. † With continuity of rhythm and melody, baroque music also features continuity of dynamic level. This means that the volume stays the same for a period of time, and then there is a sudden shift to a different dynamic level. There are no gradual changes in dynamics (such as a crescendo or decrescendo). Terraced dynamics were used as the main keyboard instrument was the harpsichord, which could only be played in two modes, either forte (loud) or piano (soft), precluding the ability to accomplish crescendos or decrescendos (Kamien, 2008). Moreover, baroque composers fashion their work with different kinds of ornamentation. For Baroque musicians, ornamentation is not merely decoration that has no intrinsic value but rather the chief way of moving affections. One should, therefore, try in his ornamentation, as in all other aspects of his interpretation, to effectively communicate the sense of the music. In a lyrical movement, baroque performers intensify the expressiveness through the use of smooth melodic ornaments and appoggiaturas, in a brilliant movement, incorporate virtuosic ornaments, and in a movement that seems complete, add almost nothing besides essential cadential trills (www. musebaroque. fr). Eventually, both vocalists and instrumentalists recognized the principal ways of ornamenting a melodic line. First, brief formulas called ornaments—such as trills, turns, appoggiaturas, and mordents—were added to certain notes to emphasize accents, cadences, and other significant points in the melody (Norton, 2010). Second, more extended embellishments—such as scale and arpeggio passages, and other types of flourishes—were added to create a free and elaborate paraphrase of the written line (Norton, 2010). Forms In 1573, a group of musicians and intellectuals came together to discuss various subjects, especially the desire to revive Greek drama. This group of individuals is known as the Florentine Camerata, they wanted lines to be sung instead of simply being spoken (Styles of the Baroque Period). The group developed a new vocal style based on the music of the ancient Greek tragedy. This new style followed the rhythms and pitch fluctuations of speech. It was sung by a soloist with only a simple chordal accompaniment and was, thus, homophonic; the Camerata rejected polyphony because it would obscure the all-important text (Kamien, 2008). Together with the opera, the oratorio stands as a major development in baroque vocal music. Like opera, the oratorio is a large-scale composition for chorus, vocal soloists, and orchestra usually performed during the Lenten season in the oratory, from which its name was derived; it is usually set to a narrative text. Oratorio differs from opera in that it has no acting, scenery, or costumes. Most oratorios are based on biblical stories, but usually they are not intended for religious services (Tovey, 1956) The genre reached its heights in the late baroque period in the works of George Frederic Handel such as the Messiah with its well-known chorus of continuous praise of Hallelujah. Likewise, the baroque mass is an instrumentally accompanied vocal music tended to be a conservative musical form. As the seventeenth century progressed, masses began to incorporate concertato style and to have instrumental accompaniments. These developments led to the five masses of J. S. Bach, whose B Minor Mass is one of the towering monuments of Western music (Daniels & Wagner, 1975). One of the most significant aspects of the Baroque period was the emergence of independent instrumental music. Its development was not entirely what the Florentine composers had intended; â€Å"the new forms†, Kitson (1966) stated, â€Å"were by-products of reform†. The use of the modal system was broken down, and establishment of the major-minor tonality were considered. But, the old contrapuntal style was not abolished entirely. The known form of during the Baroque is the fugue. According to Kamien (2008), a fugue, written for a group of instruments or voices, or for a single instrument, is a polyphonic composition which is based on one theme called subject. Composers wrote fugues both as independent pieces and as sections within preludes or toccatas (Norton 2010). Throughout a fugue, different melodic lines, or â€Å"voices†, imitate the subject. Fugue subjects usually have a clearly defined character and a lively rhythm. Music that had become associated with various social dances began to separate itself and became a type of independent instrumental music. The baroque suite is a set of dance-inspired movements, all in the same key but different in tempo, meter and character. It is performed by a solo instrument, a small group of instruments, or an orchestra (Wright, 2008). The movements of a suite are usually in AABB form. The section A, which starts from the tonic key then shifts to the dominant, is balanced by the section B, which starts from dominant then shifts to the tonic (Kamien, 2008, p. 103). Moreover, the orchestra during the baroque period was a performing group on instruments of the violin family. The baroque orchestra was consisted of ten to thirty or forty players. At its core were the basso continuo and upper strings. The use of woodwind, brass and percussion instruments are variable depending on the demand of the piece to be played. An aria (in English works sometimes called an â€Å"air†) signifies a melody apart from the harmony, but especially a musical composition for single voice or instrument, with an accompaniment of other voices or instruments. The aria in Bach’s suites is a short binary movement in a flowing rhythm in not very slow common or duple meter (Tovey, 1956). Influence of baroque music to classical music In the middle of the 18th century, Europe began to move toward a new style in architecture, literature, and the arts, generally known as Classicism, which sought to emulate the ideals of Classical antiquity and especially those of Classical Greece. Changes in musical perception on style and form are likely caused by a sum of economic, religious, sociological and political factors. It is interesting to examine the music created within the hazy boundaries between the periods. Style Norton (2010) believes that â€Å"at its best, Classical music reached a consistently high standard and possessed the qualities of a noble simplicity, balance, perfection of form, diversity within unity, seriousness of purpose, and use of ornamentation. † The transition to the new style was rather complicated. There was a general relaxation of formality, and for a while nothing much to take its place (Daniels & Wagner, 1975). The relaxation in the court life favored the Rococo (derived from the French word rocaille referring to the artificial rockwork), a reaction to the formalism, rigidity, and seriousness that had become characteristics of the Baroque, and a decorative style that was lighter, smaller in scale, and wittier than the Baroque (Daniels & Wagner, 1975, Kitson, 1966). The melody most typically consisted of a series of a series of short motives, repeated several times and cast in four or eight measure phrases. The melody is also generously supplied with a variety of trills, mordents, and the like. Classical music is basically homophonic. It seemed a proper alternative to the heavy polyphonic textures of the High Baroque. However, texture is treated as flexibly as rhythm. Pieces shift smoothly or suddenly from one texture to another. A work may begin homophonically with a melody and simple accompaniment but then change to a more complex polyphonic texture that features two simultaneous melodies or melodic fragments imitated among the various instruments. In addition, polyphony was piously maintained when it came to church music. It was used for intensification, contrast, and development in the late works of Haydn and Beethoven The most far-reaching event of Rococo music was the development of the simple two-part dance form of the Baroque, through a gradual enlargement and refinement, to the sonata-form of the Classical period. The end result was a form that remained in a dominant position in the field of instrumental music for almost two hundred years (Kitson, 1966). Indeed, it is a marvel of structural flexibility, capable of the greatest conceivable variety of expressive content. By the beginning of the eighteenth century, it was generally cast in a form consisting of three movements arranged in fast-slow-fast sequence. In sonatas and other pieces for violin, gradual increases and decreases of dynamics had long been employed; a theorist addressed the problem of crescendo and decrescendo receiving considerable attention. The Italian opera orchestra, too, had been familiar with swelling of tone. The solution is the borrowing a baroque style. Terraced dynamics had provided composers with one means of achieving contrast. Operas employing this device were widely performed throughout Europe. Form The practice of the baroque era was the standard against which new forms was measured, and there came to be a division between sacred works, which held more closely to the Baroque style from secular works, which were in the new style. A new orchestra developed during the classical period. It was a standard group of four sections: strings, woodwinds, brass, and percussion unlike the baroque which could vary from piece to piece. The number of musicians in a classical orchestra was greater than in a baroque group. Classical composers exploited timbres of each instruments. Unlike baroque composers, they did not treat instruments interchangeably. The Classical composers were the first to orchestrate for instruments like clarinet, trombone, and piccolo (Daniels, Wagner, et al, 1975). According to Kamien (2008), â€Å"the classical orchestra had developed into a flexible and colorful instrument to which composers could entrust their most powerful and dramatic musical conceptions. The mass continued to be an important form for Mozart, Haydn, and Beethoven. During the Classical period, masses involved orchestra, soloists, and choir in a fully integrated work, using organizational principles derived from instrumental forms (The Classical Period). The majority of Mozart’s masses were in Missa brevis type, the simultaneous setting of several lines of text, or the omission of certain sections of the mass, becau se the Archbishop Colloredo of Salzburg had no patience with long Masses. Effects of the influences of baroque music Long after the Baroque era ended, and their music was all but forgotten, both Handel and Bach were rediscovered in the Classical era. All great Classical composers like Mozart and Beethoven, after Bach and Handel, studied their works and learned from them in grasping and further developing Bach’s and Handel’s science of baroque composition in such a way, that something entirely new emerged, pointing into the future. Proficient Wolfgang Amadeus Mozart The works of Bach, such as the B-minor Mass and the six motets, and Handel, for example, the Messiah had deeply influenced the works of Mozart in his last years of writing music. Mozart was thoroughly familiar with the music of Handel. During his childhood trip to England, he became well acquainted with Handel’s music and he never lost his taste for it. One can hear Handel’s influence in some of Mozart’s early works, such as The Solemn Vespers, and in later works such as the Great Mass and the Requiem Mass in D minor. In fact, the opening page of Mozart’s Requiem, beautiful as it is, is merely a reworking of the opening choral movement of Handel’s funeral music for Queen Caroline (Langlois, 2008). At the age of thirty, Mozart, visiting the St. Thomas Church in Leipzig, upon hearing a Bach motet for the first time, exclaimed â€Å"Now there is music from which a man can learn something. † Then, the choirmaster at Leipzig gave Mozart a copy of the score to all six of the Bach motets. They were a profound influence on his late style. In the last two years of his life, Mozart’s counterpoint became even more exquisite and complex than before (Langlois, 2008). Moreover, Mozart was attracted to the main genres in which Bach excelled—keyboard sonatas, keyboard concertos, symphonies and operas. Bach’s singing-style themes, tasteful use of expressive motives, suspenseful harmonic ambiguities, and consistent thematic contrasts became permanent features of Mozart’s writing (Portowitz). Ludwig van Beethoven Having Mozart as his model for his compositional styles, Beethoven had been familiar to the styles of the works of Bach and Handel. He continuously borrowed ideas, techniques and texture of the music of the baroque in his latter musical career. In his later years, wanting to compose certain pieces in a more contrapuntal style, Beethoven worked hard at mastering counterpoint. He studied the music of Bach, Handel, and even of Palestrina. In his late music, he developed a style of counterpoint that is more reminiscent of Handel than Bach. His fugues in his late period are very rhythmic in nature and quite unique in the history of music (Langlois, 2008). Beethoven showed his constant concern with the work of J. S. Bach. He constantly requested copies of newly published editions, for example, a copy of the B-minor Mass, from the well-known publishers in Leipzig and Zuurich. In Beethoven’s sketchbooks, interspersed among work on his own compositions, there are numerous entries of short or long passages from Bach’s works, among them, the Chromatic Fantasy, and fugues from The Well-Tempered Clavier and The Art of the Fugue (Cramer, 2001). For Beethoven, the sense and aim of the study of his predecessors, was indeed his own further development, toward new ideas. Beethoven described this very clearly in a letter to the Archbishop Rudolph, in which he clearly names Bach and Handel as the only true geniuses, among his predecessors: â€Å"The aim of the world of art, as indeed in the whole creation, is freedom, progress; if we moderns have not the same firmness as our ancestors, yet the refinement of our manners has in many ways enlarged our sphere of action. â€Å"

Internet Privacy Essay

Electronic commerce (e-commerce) is a great opportunity for any fledging entrepreneur to expose his goods to buyers all over the world through the internet. Small and medium scale businesses, with the right mixture of products and e-commerce capabilities can thrive in a global market. Geography is now longer a hindrance. One doesn’t even need a great amount of capital outlay to get started. For $ 25 a month, one can get an e-commerce start up kit (â€Å"Exploring E-Commerce†). Every imaginable commodity is now sold on-line. It would be wise for any business minded person to ride the information age. Of course, one area of concern when it comes to electronic transactions is security. There have been many instances where credit card information submitted to certain business related websites were stolen and used for other purposes. Customers would need some measure of guarantee that they are not getting scammed. At the same time, businessmen, especially the newer ones, would like to minimize costs of implementing a highly secure environment. Like everything else, a balance must be reached between security for the customer and cost for the business owner. The advantage of a non-secure e-commerce environment is that the business can start right away, even at the comfort of your own home if you prefer. Starting capital would be affordable since one only needs to register a website name and post the products he is offering. The site functions as a showroom for global customers. The disadvantage is that the number of hits on the site doesn’t necessarily translate to customers. 54% of prospective buyers cancel their transactions because of concerns which include insecurity (â€Å"Exploring E-Commerce†). Another disadvantage is that safe payment options are limited. Because non-secure e-commerce sites are vulnerable to hacker attacks, customers would prefer not to use any kind of electronic payment. This would limit the customer’s options to bank deposits and cash-on-delivery schemes. If credit card payment is offered in an insecure web environment, the risk of theft is increased. Overly secured e-commerce sites provide the customer with a blanket of safety and convenience for both the customer and the site owner. With up to date security measures, the owner opens his business to the more than 1. 2 billion credit card owners, world wide (â€Å"Exploring E-Commerce†). Applying encryption methods such as the widely accepted secure socket layer (SSL) certificates on the business website shields important customer information, like credit card numbers, from hackers and other web predators. One disadvantage of a highly secure e-commerce setup is the cost in putting up the safeguards. Verisign, the company that offers SSL certificates, charges over $1,000 for an extended SSL good for 1 year (â€Å"Verisign†, 2007). Other security costs include purchasing and updating of anti-virus software and firewall infrastructure. A minor inconvenience for the customer would be repeated input of customer information including passwords to help secure a transaction. These are not one time only costs. SSL and anti-virus software need regular updates to adapt to relentless hackers and virus code programmers. Even with all of these, there is still no 100% guarantee that the e-business is safe since security is meant to â€Å"manage not eliminate risks† (Tung, 2007). If the entrepreneur is new to the e-commerce business and confined with a limited budget, it is advisable that he start with registering the website first and live with the payment limitations. If the product is good, and the owner makes up for the limitations with above average service like on time delivery and packaging, then he may gradually add components that would make his e-business more secure. If money is no object to the businessman, then adding market accepted security features will certainly not hurt and will even attract repeat business. References: E-commerce 101. Retrieved December 10, 2007, from Sell it on the web Web site: http://sellitontheweb. com/ezine/webstore101. shtml Exploring E-Commerce. Entrepreneur. com , Retrieved December 10, 2007, from http://www. entrepreneur. com/growyourbusiness/howtoguides/article81238. html Tung, Liam (2007, November 2007). ‘Friendly rootkits’ proposed for safe e-commerce. Retrieved December 10, 2007, from ZDNet. co. uk Web site: http://news. zdnet. co. uk/internet/0,1000000097,39291134,00. htm? r=2 Verisign (2007). Retrieved December 10, 2007, Web site: https://ssl-certificate- center. verisign. com/process/retail/product_selector? uid=f149c3d301a629c3897d6187982dbfe7

Analysis of Monsanto Company Term Paper Example | Topics and Well Written Essays - 1250 words

Analysis of Monsanto Company - Term Paper Example Put in simple terms, the company products advanced pesticides, herbicides and crop seeds. Currently, the company leads globally in the production of the herbicide glyphosate, the famous herbicide marketed by the brand name Roundup. It also leads globally in the production of genetically modified (GE) seed. The company provides the technology used in as high as 90% of the GE seeds used in the US market (Barlett and Steele 2008). Positive impacts Monsanto is one of the leading global companies committed to sustainable agriculture. The company has been tirelessly working with farmers to help them achieve more yields while at the same time, conserving more of the vital resources and improving lives (Monsanto Company 2011). The company discovers, develops and delivers products that are innovative. These products help the farmers to keep in pace with the rapidly rising demands for such agricultural products. ...Monsanto has produced traits that are drought-tolerant and this has become a br eakthrough in improving water productivity in farming. Its first corn train that is drought resistant is under regulatory review and is expected to be commercially available by 2012. This is also a big step towards adapting farming to climate change. Monsanto’s products help farmers to maximize soil health both in long-term and short-term basis. This is because its products help farmers to maintain the productivity and integrity of their soil by enabling conservative tillage practices and improved efficiency in the use of nutrient inputs. Through its advanced biotechnologies, Monsanto has been able to improve the lives of many farmers and their dependents. It is projected by 2020, this will include an additional 5 million people from families with poor resources. Monsanto has also started projects like Project Sunshine in India which has tremendously increased corn yields in India (Business Standard 2011).  

Contemporary issues in travel and tourism Assignment

Contemporary issues in travel and tourism - Assignment Example Tourism has emerged to be one the fastest growing economic sectors in many countries. For instance, in Costa Rica, tourism has been serving as the largest foreign exchange earner since 1995. The natural attractions such as Poas Volcano Crater and Cocos Island have enhanced the growth of the sector in Costa Rica. Since the year 1999, tourism in Costa Rica has earned more foreign exchange than agricultural product exportation in the country (Jawahar 2009, p. 268). Despite the tourism sector being the leading foreign exchange source, it also brings consequences such as terrorism and security, health and safety impacts, and negative social and cultural impacts in the country. Current issues affecting tourism in Costa Rica Insecurity issue There are many current issues affecting travel and tourism in Costa Rica, which include insecurity and natural hazards such as earthquakes. The problem of insecurity in Costa Rica towards tourists may pose a greater negative impact to tourism in the country. Costa Rica hopes to make billions of revenue from the travel and tourism sector this year, so travelling to Costa Rica is very imperative to sustain the country’s economy (Costa Rica News 2011). Tourists should be aware of the current possible insecurity matters in the country. Terrorist attacks in the country occur randomly anytime and anywhere. Examples of these attacks include suicide bombs, car bombs, kidnappings, and shootings. Therefore, tourists should be aware that there is an increment in the number of crimes around the entire country including pick pocketing and stealing of passports (Costa Rica News 2011).... Ecotourism in the country helps in provision of political, social, and economical funds, educate travelers, directly benefits local communities’ political empowerment and economic development, and ensure protection of different cultural practices and human rights. â€Å"Take the only memories and leave only footprints† is a common slogan used in Costa Rica in protected places (Costa Rica 2013). However, tourist destinations in Costa Rica are shifting carbon free area following the trend of tourists being more focused in environmentally responsible hence adopting a sustainable tourism (Donald 2005). Task 2 Key statistics of tourist for the last five years in Costa Rica Costa Rica remains to be the most visited country in Central American States, with 2.2 million tourists in the year 2011. The total of tourists touring the destination surpassed the two million landmarks in the year 2008 representing 54% U.S. tourist visiting Costa Rica. Due to the combined global economic crisis and the flu epidemic, this occurred in the year 2009, lead to a reduction of the number of tourists in 2009 to 1.9 million visitors. This was a reduction of 8% percent compared to the turn up in 2008. In the year 2010, the number of tourists rose to 2.1 million, barely breaking the record of 2008. An historical record was set in the year 2012 with 2.34 million tourists visiting Costa Rica, a 6.9% increase over the year 2011. The global tourist receipts increased to 2.4 billion dollars in the year 2012, and the leading country of origin was United States with a total of 864,340 visitors, Nicaragua in 474,011tourists being the second, and Canada with 136,261 visitors. Emerging trends in terms of product services offered The Costa Rica tourism composes of visible actors-like airlines and hotels,